ⓘ Guglielmo Ratcliff

                                     

ⓘ Guglielmo Ratcliff

Guglielmo Ratcliff is a tragic opera in four acts by Pietro Mascagni to an Italian libretto by Andrea Maffei, translated from the German play Wilhelm Ratcliff by Heinrich Heine. Mascagni had substantially finished the composition of Ratcliff before the phenomenal success of his first opera, Cavalleria rusticana.

After the composition and performance of further operas Lamico Fritz in 1891 and I Rantzau in 1893, Ratcliff eventually premiered on 16 February 1895 at the Teatro alla Scala in Milan and has been revived a number of times since, including a concert performance in 2003 at the Alice Tully Hall in New York and a staged performance at Wexford Festival Opera in 2015, conducted by Francesco Cilluffo.

Mascagni often wrote that Ratcliff was his best opera. However, it has not entered the standard operatic repertoire, in part because the title role is one of the most taxing tenor parts ever written. It is especially known for its act 3 Intermezzo, which features prominently in the Martin Scorsese film Raging Bull. Heines play was also used as the basis for Cesar Cuis 1869 opera of the same name and for Volkmar Andreaes 1914 opera Ratcliff.

                                     

1.1. Synopsis Act 1

Count Douglas, Marias betrothed, arrives at the Castle of Maria and her father MacGregor. He tells them how he was attacked by bandits near the castle but saved by an unknown knight. Maria faints, and then recovers. MacGregor tells Douglas about Gugliemo Ratcliff, whom Maria had rejected as a suitor. Ratcliffs revenge was to challenge her next two suitors to duels in which he killed them. Count Douglas then receives a message from Ratcliff delivered by his friend Lesley challenging him to a similar duel at Black Rock.

                                     

1.2. Synopsis Act 2

In an inn frequented by thieves and swindlers, the innkeeper Tom, is holding his son, Willie on his knees. When he asks the child to recite the Pater Noster, he repeatedly stumbles on the line "And lead us not into temptation". Tom grows increasingly angry with the boy, tells him that he will end up like the clientele of the inn, and eventually sends him from the room. Ratcliff then tells Lesley, how Marias rejection of him led to his compulsion to kill any man who succeeded in winning her love. Ratcliff is disturbed by the appearance of strange figures who, unbeknownst to him, are the ghosts of Marias dead suitors.

                                     

1.3. Synopsis Act 3

Douglas arrives at Black Rock for his duel with Ratcliff. The two strange figures who have been following Ratlcliff briefly appear and then disappear. When Ratcliff arrives, Douglas realises that he is the knight who had saved him from the bandits, and when he gets the better of Ratcliff in the duel refuses to kill him. Ratcliff is left lying on the ground where he is again visited by the ghostly figures.

                                     

1.4. Synopsis Act 4

In her room, Maria is preparing for her wedding to Douglas. Her nurse, Margherita, tells Maria the story of her mother Elisas death. Before she married MacGregor, Elisa had been in love with Edward, Guglielmo Ratcliffs father, but both married others. Edward and Elisa later realised their mistake and became lovers. When MacGregor found out, he murdered Edward, and Elisa died from grief. Gugliemo Ratcliff then bursts into Marias room covered in blood from his unsuccessful duel with Douglas and begs Maria to run away with him. With her mothers story still on her mind and thinking that she might be making the same mistake, Maria at first feels pity for Guglielmo, but then asks him to leave. Her refusal drives Guglielmo mad. He kills both Maria and her father who rushes into the room after hearing her calls for help. Ratcliff then commits suicide. The opera ends with his dying words "O Maria, vengo a te! Son qui, soave Maria!" "Oh Maria, Im coming to you. Im here my sweet Maria!".



                                     
  • Cui Guglielmo Ratcliff premiered 1895 a later opera by Pietro Mascagni Ratcliff premiered 1914 an opera by Volkmar Andreae William Ratcliff film
  • operetta Lina won the Bonetti Competition. In 1889 his first opera, Guglielmo Ratcliff won first prize at the Baruzzi Competition. His fourth opera, Gabriella
  • play has been used for other operas, most notably Pietro Mascagni s Guglielmo Ratcliff which premiered over a quarter century later. The action takes place
  • 30 August 1868, she debuted in 1895 as Willie in Pietro Mascagni s Guglielmo Ratcliff The same year, at La Scala, she played Anne Boleyn in Saint - Saens
  • Il Re a Napoli in Cremona 1885 and Guglielmo Ratcliff 1895, from Heinrich Heine s 1822 play William Ratcliff Idilli di Gessner 1821 Gli amori degli
  • Verdi s Otello. In 1895, he created the title role in Mascagni s Guglielmo Ratcliff De Negri was born in Alessandria, a city in Italy s Piedmont Region
  • who sang Giannetto in La cena delle beffe and the title role in Guglielmo Ratcliff and Aprile Millo who sang the title role in Zazà Bartolini also
  • Vistilia, based on a novel by Rocco de Zerbi set in ancient Rome Guglielmo Ratcliff which he had first started composing in 1882 and Zanetto, which
  • as some less performed operas, such as La Fanciulla del West and Guglielmo Ratcliff His productions have been performed in several Opera houses worldwide
  • parts that he sang included Tell in Rossini s Guglielmo Tell, Douglas in Mascagni s Guglielmo Ratcliff Scarpia in Puccini s Tosca, Tonio in Leoncavallo s
  • Leoncavallo s I Medici Teatro dal Verme, Milan, 1893 Maria in Mascagni s Guglielmo Ratcliff La Scala, Milan, 1895 Matilde in Mascagni s Silvano La Scala, Milan