ⓘ The Beloved (Rossetti painting)

                                     

ⓘ The Beloved (Rossetti painting)

This painting illustrates the Song of Solomon. Two passages from the Song of Solomon are inscribed on the pictures gilded frame:

My beloved is mine and I am his 2:16

and

Let him kiss me with the kisses of his mouth: for thy love is better than wine 1:2

The bride, caught in the action of moving back her veil, is attended by four virginal bridesmaids and an African page boy. All contrast strikingly with the red hair and pale skin of the bride: not just the African skin and features, but also the varying shades of brunette hair and dark caucasian skin tones of all four bridesmaids. It has been suggested that this colour contrast, carefully painted as a frame to the brides features, was influenced by a controversial painting by Edouard Manet, entitled Olympia first exhibited in 1865. Rossetti made a visit to Manet while working on The Beloved, and the painting also owes much to the works of Titian.

Rossetti arranged the bride in a head-dress which is distinctly recognisable as Peruvian, and in a Japanese gown. Again, this abundance of exotic fabric frames the face of the bride, dominant in the centre of the canvas, with its western-European features. Rossetti ostensibly finished this oil in 1866, but continued to make changes to it throughout his life.