ⓘ The Phantom of the Opera (1989 film)


ⓘ The Phantom of the Opera (1989 film)

The Phantom of the Opera is a 1989 American horror film directed by Dwight H. Little and based on Gaston Lerouxs novel of the same name. The film is an updated and gorier version of the classic 1910 tale, and stars Robert Englund as the Phantom. The film was a critical and commercial failure.


1. Plot

Christine Day Jill Schoelen, a young opera singer in modern-day Manhattan, is searching for a unique piece to sing at her next audition. Her friend and manager Meg Molly Shannon discovers an old opera piece called Don Juan Triumphant, written by a composer named Erik Destler. Curious, Christine and Meg do a little research on Destler, and discover he may have been responsible for many murders and the disappearance of a young female opera singer he was said to have been obsessed with. While Christine is alone, she sings from the tattered parchment and blood seeps from the notes and covers her hands. Shocked, she discovers this to be an illusion when Meg returns. Christine auditions with the piece and during her performance, an accident with a falling sandbag renders her unconscious and shatters a mirror.

She awakens in London in 1885, wearing opera clothing. A different version of Meg Emma Rawson is also there. Christine turns out to be the understudy to the diva La Carlotta Stephanie Lawrence, who is both jealous and resentful of Christines skill. During this whole time, Erik Destler Robert Englund attacks the scene-shifter Joseph Terence Beesley with a blade high above the rafters for almost killing Christine with the falling sandbag, and blaming the accident on him.

Alone in her dressing room Christine hears the voice of Erik Destler, revealing he is her teacher and an angel sent by her deceased father. Destler encourages her to practice Carlottas part of Marguerite in Faust, saying that only she can sing the part. Christine complies. That evening, Carlotta discovers Josephs skinned but barely alive body in her dressing closet. The event causes her to scream and lose her voice. Christine is cast in the role of Marguerite, which causes a panic to the opera house owner Martin Barton Bill Nighy, who favors Carlotta and the prestige she brings to his opera house.

During the scene where Dr. Faust signs his soul to the Devil, Destler reminisces about a time, decades ago, when he sold his own soul to the Devil in exchange for people loving him for his music. The Devil grants his wish, but disfigures Destlers face, telling him that only his music will be what people love him for. Christine gives a stellar performance, receiving a standing ovation, and celebrates that night with her fiance Richard Dutton Alex Hyde-White. She tells him of her mysterious "teacher", to whom she accredits her success. A mildly jealous Richard asks to meet this teacher, but Christine insists her teacher is only a figment of her imagination. Meanwhile, Destler seduces a prostitute and pays her gold to call herself "Christine" for the night.

Shockingly, the next morning in the papers, Christine is given a bad review by the famous opera critic E.A. Harrison, secretly done as a favor to Barton. Destler tracks Harrison down and brutally murders him in a Turkish spa after Harrison refuses to recant his review. Christine tearfully goes to the graveyard and prays at her fathers grave. Destler appears as a shadowy violinist and offers her a chance at musical immortality if she will only go to him. Christine goes away with the Phantom in his stagecoach. Deep in the sewers below Londons opera house, Destler reveals himself as the composer of Don Juan Triumphant, which causes a spark of recollection within Christine and she sings the same lyrics from the beginning of the film. Destler places his ring upon her finger and warns her never to see another man again. Christine, through fear, promises she will not. Destler kisses her hand declaring her to be his bride.

Richard goes to Inspector Hawkins Terence Harvey, who reveals that the Phantom is not only the legendary Erik Destler, but has lived for decades, uses the opera houses catacombs as a hideout, and skins his murdered victims for their facial skin to cover his own hideous visage. Richard has heard that the only way to kill the Phantom is to destroy his music.

After hearing of Harrisons murder, Christine meets Richard at a masquerade ball and begs him to take her away. She fears the Phantom and really loves Richard. Erik, disguised as Red Death, witnesses this exchange and becomes enraged. He decapitates Carlotta, causing a mayhem, and kidnaps Christine. Hawkins, Richard, and the rat catcher Yehuda Efroni, whom Destler has been bribing in the past, go quickly in pursuit. Back in the Phantoms lair, an enraged Destler attempts to rape Christine, but hears the men approaching. He tells Christine she can never leave and locks her in the lair. Two policemen become lost in the sewers and are killed by Destler, including the rat catcher for betraying him.

He returns to Christine who asks him if he is going to kill her too. Destler replies "This is either a wedding march or a funeral mass. You decide which." Richard and Inspector Hawkins burst in. After a brutal fight with the Phantom, Richard is stabbed, set aflame, and killed instantly. Christine sets the lair on fire by pushing over candelabras and attempts to kill Destler, but he grabs her hand and tries to lead her away with him. However, a wounded Hawkins manages to shoot Destler. Christine pushes another candle holder through a mirror which sends her back to her own time. As she vanishes, she hears Destlers echoing voice screaming her name.

Christine awakens back to the present-day in Manhattan and meets the operas producer, Mr. Foster, who comforts her and offers her the leading part. At his apartment, they have drinks and Foster goes upstairs to change and finds a blemish on his face, revealing that Foster is really Destler from long ago. He prepares to change his facial skin with synthetic ones he keeps in a special lab. Meanwhile, downstairs, Christine discovers a copy of the Don Juan Triumphant music score. Foster/Destler enters, reveals his true identity to her and lovingly kisses her lips. Christine pretends to accept him then rips off his mask, stabs him and escapes, taking his music. She tears it apart and lets it drop into a drain, whilst Foster/Destler is heard screaming.

On her way home, Christine passes by a street violin player, whom she gives some money to. The violinist starts playing the theme from Don Juan Triumphant. Christine looks back and reflects on the music for a while. Then, very resolutely, she turns around and continues on her way, wondering if Destler is really gone for good.


2. Cast

  • Molly Shannon as Meg New York
  • Nathan Lewis as Davies
  • Jill Schoelen as Christine Day
  • Alex Hyde-White as Richard Dutton
  • Emma Rawson as Meg London
  • Robert Englund as Erik Destler, The Phantom of the Opera/Mr. Foster
  • Peter Clapham as Harrison
  • Mark Ryan as Mott
  • Bill Nighy as Martin Barton
  • Yehuda Efroni as The Rat Catcher
  • Nancy Fontana as the singing voice of Christine
  • Stephanie Lawrence as La Carlotta
  • Terence Beesley as Joseph Buquet
  • Terence Harvey as Inspector Hawkins

3. Production

The script was originally written by Gerry OHara for Cannon films, and was set to be directed by John Hough. OHaras version of the screenplay did not feature any present-day segments, and was set entirely in 1881 England. However, after Cannon filed for bankruptcy, the film was passed on to the 21st Century Film Corporation. 21st Century planned to follow up the film with a sequel called The Phantom of the Opera 2: Terror in Manhattan, in which the Phantom lives in the sewers of present-day Manhattan. Television writer Duke Sandefur was hired to add bookend segments set in present-day Manhattan to OHaras script, so that the film would tie into its proposed sequel. Ultimately, the sequel was not made, but the bookend segments remain in the film.

The original music, written for the film by Misha Segal also known for the soundtrack to The New Adventures of Pippi Longstocking, won a 1989 Brit for best soundtrack. Of particular interest to fans of the original novel is Segals rendition of the Phantoms opera composition Don Juan Triumphant, with the Phantom on the organ and Christine singing.


4.1. Release Box office

The Phantom of the Opera opened theatrically on November 3, 1989 in 1.468 venues, ranking sixth at the domestic box office, with $2.050.000 in its first weekend. The film closed three weeks later, having grossed $3.953.745.


4.2. Release Critical reception

The film received negative reviews from critics. Caryn James of The New York Times wrote, "This Phantom is not lively enough to be kitschy, or original enough in its badness to be funny." Variety called the film "competent but flatly directed," adding that "Englund his usual broad self. Yet gorehounds expecting a Freddy of the Opera are bound to be disappointed, for the stabbings, stranglings and decapitations he executes lack suspense, surprise or innovation." Dave Kehr of the Chicago Tribune called it "a stern, lugubrious affair, almost completely devoid of the humor and invention that have made the Nightmare films consistently watchable." Kim Newman of The Monthly Film Bulletin wrote that it "occasionally has a pleasant Hammer Films/Gothic feel," but that "Englund is buried under thick make-up even when trying to pass for normal and is unable to do much with the role."

The film holds a 38% Rotten rating on review aggregate website Rotten Tomatoes, based on 13 reviews.


4.3. Release Home media

Scream Factory a subsidiary of Shout! Factory released the film on February 17, 2015 for the first time on Blu-ray Disc in the United States. The film was released alongside the documentary film, Behind the Mask: The Making of "The Phantom of the Opera". The documentary film featured interviews with Englund, Nighy, Hyde-White, Shannon, and director Little. The alternative title cover of the film was "Freddy: The Musical".


5. Cancelled sequel

Englund was under contract to appear in a sequel, but it was canceled after the films poor reception, and has been the subject of numerous rumors. Fangoria Magazine stated in 1991 that the script was re-written into what became 1992s film Dance Macabre, also starring Englund.

Englund confirmed in a 2004 interview that a script had been written, and while he personally felt it was superior to the first film, it had never been filmed in any capacity. In 2012, Englund was asked at a memorabilia sale about the possibility of a sequel happening in the near future; Englund informed everybody in attendance that although it would be overwhelming to see a sequel, the chances of it happening at this stage are "highly unlikely".

  • Emerald City Productions Ltd. The Phantom of the Opera 1989 film a film starring Robert Englund The Phantom of the Opera miniseries a 1990 two - part
  • The Phantom of the Opera is a 2004 British American musical drama film based on Andrew Lloyd Webber s 1986 musical of the same name, which in turn is
  • Play media The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux s 1910 novel Le Fantome de l Opera directed by
  • English speakers as The Phantom of the Opera The character has been adapted to alternate media several times, including in the 1925 film adaptation starring
  • The Phantom of the Opera ranging from stage musicals to films to children s books. Some well known stage and screen adaptations of the novel are the
  • The Phantom of the Opera is a musical with music by Andrew Lloyd Webber, lyrics by Charles Hart, and a book by Lloyd Webber and Richard Stilgoe. Based
  • Junior High Film productions in 1925, 1943, 1962, 1983, 1987, 1989 1998, 2004, and 2011 of The Phantom of the Opera see The Phantom of the Opera disambiguation
  • of The Phantom of the Opera by Gaston Leroux. The film is now believed to be a lost film No copies, photographs or even a poster of the film remain.
  • Phantom of the Mall: Eric s Revenge is a 1989 horror film about a young man who apparently dies in a suspicious house fire after saving his girlfriend
  • and the female protagonist of Gaston Leroux s 1910 novel The Phantom of the Opera and of the various adaptations of the work. Erik, the Phantom of the Opera
  • Phantom including The Phantom Detective and The Phantom of the Opera Falk considered calling his hero The Gray Ghost However, he could not find a name
  • opposition was the major obstacle. The main theme of the film was, however, a strong adaptation of The Phantom of the Opera The film s language is entirely